This shell, which is initially the same for all users, generally displays a loader and contains instructions on how to retrieve and render user-specific content. In the SSG model, this is commonly done by delivering a static, empty shell for your content from a CDN. This answers the question of: how do I generate and retrieve dynamic content tailored to individual users? Enter: Client Side Rendering (CSR)Ī huge part of static site generation and the JAMstack is the “A” part: APIs. This makes accessing content collectively faster because content is spread around the world for faster retrieval.īut what about the dynamic stuff you were doing in SSR? If content on your site changes, the conventional wisdom is to regenerate the entire site and push it anew to the CDN.Īnd what about user-specific content? For that, you’ll need an escape hatch from this mode of “static content retrieval” and some kind of server to generate this user-specific content. ![]() SSG promises to make SSR faster by getting rid of the origin server (for static content) and putting everything on a distributed network of computers around the world (also known as a CDN). While this model has its advantages, it’s prone to performance issues because 1) there’s only one server serving everyone, and 2) it’s not distributed around the world (speed is determined, in part, by the user’s geographic proximity to your server). In the basic form of this model, you have a single-origin server which serves your content (dynamic or static), to everyone upon request. In this post, we’ll take a closer look at the different ways of delivering content on the web, why “the edge” exists, and how it’s evolving to better deliver great user experiences on the web (and, of course, how Remix takes advantage of it all). Kent also talked about “the edge” and what’s coming next in his talk at Reactathon. Static files on “the edge” is cool and all, but ya know what’s even cooler? Actually doing stuff on the edge. Edge functions are probably part of the solution.”. Chris Coyier talks about this in his post: “ It doesn’t much matter how CDNy your Jamstack site is if everything important happens from a single-origin server. It’s increasingly becoming a place for dynamic assets which require compute. “The edge” isn’t just about static assets anymore. Traditionally, the edge has been perceived as a distributed network for storing and delivering static assets fast, while anything dynamic still requires compute somewhere whether on the client (in the form of client-side JS talking to APIs) or the server (an application server, lambda function, etc.).īut that is changing. Each one in their own amazing way.There’s a lot in the air around CDNs and “the edge”. They are all on my "Above the Rest" list. I'm a huge fan of every artist I mentioned & cried when we lost all three of these Irreplaceable icons. This all is kinda unofficial & just my take on it all. Gordy was able to pull some strings with Rick for Michael. & we all know Berry's influence on Michael Jackson.Īlthough Thriller was not during Michael's Motown years, he was with Epic at the time.īerry Gordy was the guy who Michael said he wished was his father. ![]() One of three "Motown" labels at the time, this one was just named after the founder BERRY GORDY, Jr. I also noted that "Give it to me baby" came out under the label " Gordy" If Rick was king of funk then Prince is just that, prince of funk. If Prince's 1999 played a part in it then I don't need to say anything other than mission accomplished. & who better to get it from then Rick James. Thriller is considered a "funk" song that's the sound Michael wanted ( even if he didn't write the whole song) the groove he wanted for it was funky. I'd also like to put some other things out there I noticed when I was looking at the info. Now I know Wikipedia is no official source but the note came as part of talking points with the producer Quincy Jones. After researching it's possible that prince's song 1999 was the second but no real notes on that. ![]() So it's possible that give it to me baby was one of the tracks playing on this device. &on the wiki page for Thriller it is noted that The bass part was made from two modifiedMinimoogs playing in unison. & credit of sample is noted on the Wikipedia page for the song Give it to me baby. As to the THRILLER (1982) I do recognize the bass part being like GIVE IT TO ME BABY (1981) by Rick James.
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